Jung, Superheros and Us

              Lewis Carroll once wrote "“I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is 'Who in the world am I?' Ah, that's the great puzzle!” in his book Alice in Wonderland.

In comparison, Carl Jung had said "It all depends on how we look at things, and not how they are in themselves".

One may wonder how the two are related, and the answer is quite simple: as human beings, we are bound to look at ourselves and wonder who we are, what we are, and why we are. There is always some level of self examination, but this blog is to focus on the who we are when we are in certain situations. Jung argued that there are at least four archetypes that human beings exhibit: The Persona (conscious), followed by the unconscious: Shadow, Anima and Animus, and Self. There is also the ego/bridge between the conscious, which is the mediator between what we are versus who we are. Very quickly, the follow is an overview of each Jung's unconscious.

The Shadow is our unconscious, the side that we know about but that we really don't know. It is what stays below our conscious, and keeps our "true feelings" hidden. Carl Jung argued that the Shadow presented itself in our dreams, both night and day, and that if we were to embrace it, there would be harmony, but shun it and we become split. Some may argue that conscious manifestations of the Shadow are in dazed, confused, or panic attack type states when the Shadow can readily move between states of self.

 

The Anima and Animus are thought to be within our subconscious. It is our balance of "good and evil", the difference between our inner and outer selves, etc. It is the idea of the "soul". It is more comparable to Freud's idea of the Ego. However, Jung differs in that his approach is a balance of male and female energies versus just a simply filter between our rational and basal needs. The animus wants to unite shadow and self, whereas the female anima keeps the animus from allowing the two to bridge completely. 

 

The Self also comparable to Lacan's The Real the combination of all our aspects that integrates within the universe. We never really understand it, but we sense that we are interlinked to other people, and that sense is what conforms us to one another. It could be argued that when one achieves this state they have passed through to the Matrix (pop culture reference) or Nirvana and have found their complete conscious/unconscious balance. 

 

The bridge of the The Ego separates the these from our conscious selves that Jung has deemed our Persona. The Persona is made up of different "masks" that we wear in order to appear a certain way to other people and is not who we are, but best represents the when, why, how and pieces of the what we are. 

The easiest way to describe what Jung was describing when it comes to Masks would be to talk about the modern Superhero. There are several examples, but let's take a look at Rorschach from the Watchmen. He is a character who believes that his face is the mask he wears. He exemplifies the quote from Lewis Carroll above when he describes his transformation from Walter Kovacs into Rorschach as seen in this video (WARNING, this is GRAPHIC)

In less extreme examples, we change. Our personalities or masks vary from situation to situation. The way someone presents themselves to an employer is far more different then how they will be around their friends, which differs from family, etc. We are a collected set of professional, personal, and private lives. We hide the things society may see as less desirable, and put forth what we think people want to see. The same goes for social media. We hide things we don't want everyone to see through privacy settings, and there has been a fair amount of people taking down some networking sites to avoid what they think their employers may see. There are professional sites like LinkedIn to make us seem more attractive to new job possibilities. Twitter, Facebook, dating sites, fetish websites, they are all being used to attract different types of people and to advertise ourselves to the world. 

 

However, you wouldn't post that you have a foot fetish on your Facebook or LinkedIn unless you are going for a certain type of job that requires you to have such a fetish, but you also probably won't post all of your ideas for updating your Linux system to your drinking buddies unless they are also your tech friends.

 

 

All that being said, Jung's theory of the Persona, and archetypes argue that we hide parts of ourselves to appear a certain way, and with the development of new technologies people are having to tread more lightly with these ideals because they can cause us to destruct with an over sharing of whatever we choose to put online. The point is, we have to be discriminate and know who we are before we decide to post about what we are.   

The Ultimate Link: Semiotics and Marketing

Semiotics, where we derive meaning from symbols and the relationships we have within our culture, religion, feeling of nationalism, etc. Semiotics worm their way into our minds and can be used to influence us to go one way or another. So, what could this have to do with marketing?

EVERYTHING

In marketing, the whole point is to sell to the masses. There is only one way in which this possible, and that is to understand who your target is.
Example (women):

Just throwing this one out here. Nail polish, there are many different types and some appear to be better than others, but what does this one particular ad "say" to a consumer? Exclude the nail polish (signifier) and look at everything that is pointing to it. There is, quite obviously, a set of script letters that state "Nail Polish Love" which draw your eyes in not one, but three directions. On either side of this script are "shiny objects" one of which just so happens to be an engagement ring. The bright piece of this, interestingly enough, is the woman's slightly curved lips that are just close enough to a smirk. Now, people may disagree with my assessment on this, but any and every time I see slightly curved lips, I see the "I am better than you" smirk with just a hint of a challenge or secrecy. This whole ad points to the idea that this nail polish either makes this woman better than you because she is loved or has love due to this polish OR that you will get love if you love on this polish.

Just an example of how marketing ploys sort of target the baser human needs to be loved and to accept a challenge from some unknown "superior".

Marketing thrives on the use of semiotics. Morgan Spurlock exemplifies how this happens on TedTalks. 
Enjoy if you choose, it is about a twenty minute video, and he goes through how and why some advertising works versus why others do not.

I leave with this thought: Advertising+no semiotics= No ads, no sell point, no nada.

Kids, Games, and Learning

Article 1: The Games Children Play by: Nancy Padak and Rasinski

Padak, N., & Rasinski, T. (2008). The Games Children Play. Reading Teacher, 62(4), 363-365.

Description of different word games that children can play to enhance their vocabulary.  The writers explain that these are supposed to be for both children and their parents and that parents need to remember to not make the games “should never frustrate the children”, but “light and enjoyable” (Padak, Rasinski 2008) There are actually 12 that are discussed, and some of which sound kind of fun.  One of my favorites reminds me of what happens in J.R.R. Tolkein’s The Hobbit. It uses riddles to come to a word conclusion. This does not include “What is in my pocket?” The article concludes with the idea and research to back their idea that game play is more effective in teaching children than just helping kids with their homework. According to their sources, game play makes children and parents active learners.

Article 2

Promoting Language Arts: Through Vocabulary Development with Internet Resources in the Elementary Classroom by Edward J. Lazaros

Lazaros, E. J. (2012). promoting language arts through vocabulary development with internet resources in the elementary classroom. Children's Technology & Engineering, 17(1), 10-13

The basis of this article was just an overview as to how the Internet can be used as a resource to help children improve their language arts skills. Using the research based on Jalongo and Sobolak, the author breaks down how the Internet is not a hindrance on children’s learning, but if pointed towards the right direction and the right sources, it can be a very big help when it comes to learning. He makes the argument that the more actively engaged in the learning process a child is, the more they will retain and the better they will do in the classroom. He also gives free resources and explains that as children are growing up in the technology era, they need to be able to use it and utilize it in their world. He concludes with how these sources can be incorporated throughout a child’s learning process and in the classroom. Basically, teachers need to embrace children learning through technology, not shun it.

Article 3:  Teaching Tips: Using Theater Games to Enhance Language Arts Learning by Sharon Fennesey

Fennessey, S. (2006). Using theater games to enhance language arts learning. Reading Teacher, 59(7), 688-691. doi:10.1598/RT.59.7.7

Using her own research to support her thesis, Fennesey (2006) states, “From my viewpoint, drama is a time for my students to enrich their language arts learning in an exciting and pleasurable way.” She goes through five different dramatic games that all help to enhance children’s way of speaking. It enhances their learning and it can be really fun. It’s learning through art.

Article 4: Games, Gamers and Gaming: Games and Writing by Liz Danforth

Danforth, L. (2009). Games and Writing. Library Journal, 134(17), 54.

This article basis the idea that gamers are not unimaginative drones that just "hang out" and play video games all day. Quite frankly, it challenges the idea and makes the argument that instead of letting these notions take over, it makes more sense to try and open the worlds that gamers experience so that their skills also improve. Using the idea of Fanfiction to create stories that people actually want to write about versus what they have to write about. This allows for students to write about what they care about, teachers something to critique and look at their students' creativity and it also lessens boredom (at least, it should).









Article 5: Fighting Baddies and Collecting Bananas: Teachers' Perceptions of Games-Based Literacy Learning

Gerber, H. R., & Price, D. P. (2013). Fighting baddies and collecting bananas: Teachers’ perceptions of games-based literacy learning. Educational Media International, 50(1), 51-62. doi:10.1080/09523987.2013.777182

This is an overview as to how learning for children has changed with the integration of video games. Out of all of the participants (who were masters and doctoral students who were employed as school teachers) only two considered themselves "gamers" and the study focused on what teachers perceived to be the best way to possibly integrate virtual and video based games into their classrooms. The participants then discussed possible difficulties in involving games into their classrooms. These difficulties included funds, classical writings no longer being a part of the curriculum, and a resistance to change amongst staff members. All in all, a dry read, but it points out the uncommon challenges being faced in a technological world versus the traditional one.

Article 6: FunBrain Language Arts Games

Mandell, P., & Minkel, W. (2004). FunBrain Language Arts Games. School Library Journal, 50(6), 61. 

This is just an overview of games currently available for teachers and students alike. They seem fun enough and the article breaks them down by grade ranking. However, I find that they are lacking in something that makes kids/teens want to play them.


Overall, these articles are all insightful. I think I may now have a better understanding as to where and how to make an educational game better and more suited for people that makes them want to learn and want to play. There are several factors that need to be assessed, and I can't wait to see what is going to happen.

Hermeneutics: All Around Us

Hermeneutics, what is it? Why is it that every time I stop to think about the word, the first thought is "for a word that is the study of interpretation, why is it so hard to spell"? Then, it hit me. If someone were to say that word to five people, it is very likely that there would be five different spellings, but not because it is a difficult word to spell, but because how we hear words and have different ways of spelling them. Think about it, off hand there is the instant breakdown of "Her-men-oo-tics", or "Her-man-u-ticks" among the several variations, and believe it or not, this actually has a point.

The first of the five Hermeneutics that will be discussed is Natural. What has been described above is a very over generalized and rough idea as to what is meant by Natural Hermeneutics. Put simply, it is how people interpret the world around them. Most of the time it seems simple, almost meaningless, until it is put into context. Think about any event that was experienced with other people and then try and see that same event from someone else who was there. Even better, think of how someone who is being told about that event could be interpreting it.

The second of these Hermeneutics is Normative. Doctors, lawyers, etc more known as people who understand a technical language and make it so "regular people" can understand it. Example: you go to your doctor and tell them of your symptoms. The doctor listens, thinks about it, may send you for more tests, but eventually, they come back to you with a diagnosis and treatment plan. Doctors are able to see technical language, interpret it, and relay it to people on an every day basis. Lawyers look at documentation constantly that would make the common man wonder if it were in gibberish, yet when the lawyer talks to man X about what it says, the lawyer can put it into words and sentences that make sense, and when they don't, there are other ways to put it even simpler. In other words, this form doesn't come naturally to people, it has to be worked on and kept on top of.

Scientific Hermeneutics are the basis and foundation for the scientific approach to the world. It is how we look at the world in order to create experiments that lead to answers to the "big questions". Ideas like String Theory, Game Theory, etc come from. Basically, there is a question, and in order to figure out an answer, steps are taken, procedure is followed, experiments are made and then conclusions are come to. If these experiments are repeated and the same results happen, then eventually these results become laws or solidified as accepted rules or facts.

In nearly the completely opposite direction is Philosophical Hermeneutics. These focus on the WHO we are versus WHAT we do. It dives into the idea that we are interpreters and that interpreting is not something we do. In an overly simplified statement "It is not what we do, it is who we are".

Which leads to the idea of Depth Hermeneutics. These are the questions and the interpretations of what is beyond the physical human world. Freud referred to it as the unconscious, others have called it existentialism, and there are more theories as to why we are, what or what else is there to life. This piece of Hermeneutics begs the ideas of souls, afterlives, etc.

This is a fascinating area of study, and there is so much more that can be discussed. This blog will continue to be updated as it feels necessary to look further into these ideas.

Skyrim: Sexism, Racism, Lore and More

The basis for the next blogs are overviews to the Elder Scrolls Series from Bethesda, but with a focus on Elder Scrolls V: Skyrim. As for the premise, I am going over the focus on the religion, and where the idea came from. Also, there seems to very strong distinction between classes, race and the sexes. There is an internal conflict within the series which makes these divides even bigger. If that fails to suffice for ten blogs, then I will begin to dive further into comparing games that are similar to what Bethesda has created, although some would argue that no one has created anything like it.

Upon the Frigid Warmth

 

 

There are several things that I love and hate about my novel. I don't believe my artwork to be the greatest thing in the world. However, I do like my plot. It's simple(ish). Thanks to Professor Larson, it was easier to get my thoughts onto the paper, and into a proper writing style. With the help of others around me I was able to make the story easier to understand. Thanks to critiques, I was able to make the story better well rounded and by thinking out loud to myself the title page just sort of came about. Instead of including a Prologue, as suggested by Nathaniel Warburton, I integrated that into the flashbacks themselves. (This  a story board base for the flashback).
All of that being said, I fear that some won't like it because it feels a bit rushed, but where else was I going to go with it? Let my characters keep arguing with each other until they're both out of breath? Nah, better to end the fight as logically as possible.

If I were to redo this whole thing (which I may later on) I would add color and maybe a few more pages. I would eventually like to add more and make it into a series that focuses on different characters. Otherwise, I would say that I'm pretty happy with what I've done. I mean, granted, this is no Alan Moore piece, but it's mine, and I like it.

Sin City, V for Vendetta, and the Influences on My Graphic Novel

After reading Sin City and V for Vendetta, I realized something. I want to create something different, but with aspects from the "classics". For example, when I started going about creating Upon the Frigid Warmth, I wasn't fully sure as to how to approach the different versions of text. So, when looking at other examples (as shown here in figures 1 and 2 from the books I've mentioned), and after talking to Professor Monica Larson, I found the solution. Instead of trying different fonts and what not, I decided to just change the surroundings of the wording. The font remains the same. However, when approaching artistry, I found that only mine would do unless I hired another anthropomorphic artist. Knowing how much that would cost and the amount of time it would take, I decided that would be both inconvenient and cost a lot of money. However, I did draw some inspiration from a web comic. The web comic, Jack, (pictured above) has helped me in deciding how to approach my back grounds. I am going to keep it minimal and light using only what is needed, when it is needed. Outside of that, the rest of the novel was easy. I went by start, rising and finishing actions, and the story feels like a cross between Pirates of the Carribbean and Game of Thrones. A bit of betrayal, piracy and loads of tension.

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Figure1

Figure2

Graphic Novel Break Down "Maus I"

The first basic concept that I recognize from Understanding Comics that is put into use is the idea of sequential art. Maus I starts right off with it on page five.  The example I am using, though, comes from page 12. It's a simple "hop along" as time goes on. It sets up mainly why the novel is being done, and it just shows a conversation that is happening at the moment.

Example:

The next theme or concept that stands out between the two books is the artist's language or style. Throughout Maus I, I find the style and way things are presented to be deliberate. The way the art is done (even if it is just animals) it is able to allow the reader to feel what is happening in that moment. Some of the more emotional moments are similar to this:

When the reader finally gets to this point, you are emotionally tired, and worn out. I almost felt the heaviness of this scene. Minus the cover, this whole novel is in black and white. The absence of color makes it easier to depict, but it also makes it easier to evoke certain themes and emotions in this book. There are times where one is supposed to feel heavy, burdened, tired, and pain, but there are other areas where you fell hope, you want the good to come out and you're almost begging the artist/writer to find a way to make this lighter. 

Last but not least the symbol work in this book, there are swastikas, images of Hitler, animals portraying humans in a certain way, and propaganda all over the place.

Example:

 

Even the walkways are significant portrayals of what was going on.  The feeling of being trapped under Hitler's regime is just overbearing in this novel. Especially when the artist chooses to make the swastika the only thing that has not shading or anything but solid white in the center. They want you to see it, and if you don't ... then it might be a good thing to go over it again, but don't think swastikas and Hitler are the only things here. Signs of the Jewish faith are all over from clothing to tombstones.

Thus ends my interlinking of the two for now.